Mission: Impossible – Fallout (2018) Movie Review

“Mission: Impossible – Fallout” is the sixth installment in the Mission: Impossible franchise, released in 2018 and directed by Christopher McQuarrie. The movie marks the return of Tom Cruise as Ethan Hunt, the IMF agent who has consistently been at the center of the franchise’s high-stakes, globe-trotting espionage adventures. “Fallout” is a testament to how the series has evolved over time, moving from its early days of classic spy thriller territory into the realm of breathtaking action sequences, intense character drama, and intricate storytelling. As the series progressed, it has embraced larger-than-life set pieces and action choreography, and “Fallout” pushes the envelope even further.

One of the major selling points of this film, as with the previous installments, is Tom Cruise’s commitment to performing his own stunts. Cruise has always been synonymous with the action genre, but with “Fallout,” he delivers some of his most awe-inspiring and death-defying moments yet. The stunts in this film feel visceral, authentic, and grounded, which elevates the tension and stakes in ways that CGI-heavy blockbusters often fail to achieve. The much-talked-about HALO jump sequence, for example, is a technical marvel that required meticulous preparation and execution. Watching Cruise leap out of a plane at 25,000 feet, with the camera closely following him in one continuous shot, is a heart-pounding experience that is unmatched in most action films. It’s a testament to the dedication of the filmmakers and Cruise’s pursuit of authenticity in action filmmaking.

In terms of plot, “Fallout” continues many of the narrative threads introduced in earlier films, particularly from “Mission: Impossible – Rogue Nation” (2015), which was also directed by McQuarrie. The story revolves around Ethan Hunt’s efforts to prevent nuclear weapons from falling into the wrong hands. The Apostles, a splinter group of the Syndicate from the previous film, are seeking to acquire plutonium cores to construct weapons of mass destruction. Hunt’s mission takes him across several countries, forcing him to navigate shifting alliances, betrayals, and moral dilemmas. Unlike some of the previous Mission: Impossible films, which often prioritized spectacle over narrative depth, “Fallout” balances its action sequences with a complex and emotionally engaging story.

One of the standout elements of “Fallout” is its exploration of Ethan Hunt’s character. Throughout the franchise, Hunt has often been portrayed as the quintessential action hero—resourceful, determined, and willing to sacrifice everything for the mission. However, in this installment, the script delves deeper into the psychological toll that his work has taken on him. Hunt is faced with difficult choices, not just in terms of saving the world but also in balancing his personal relationships. His loyalty to his friends and colleagues, particularly Luther Stickell (Ving Rhames) and Benji Dunn (Simon Pegg), is put to the test, as well as his lingering feelings for Ilsa Faust (Rebecca Ferguson) and Julia Meade (Michelle Monaghan). The film raises poignant questions about the cost of heroism and whether the ends always justify the means.

Rebecca Ferguson’s return as Ilsa Faust is one of the film’s strongest points. Her character, introduced in “Rogue Nation,” has quickly become a fan favorite, and her dynamic with Ethan Hunt is complex and multi-layered. Ilsa is not merely a romantic interest or a sidekick; she’s a formidable agent in her own right, with her own motivations and allegiances. The tension between Ilsa and Ethan is palpable throughout the film, as their personal feelings often clash with their professional duties. Ferguson brings a mix of vulnerability and strength to the role, making Ilsa one of the most compelling characters in the franchise.

Henry Cavill’s addition to the cast as August Walker, a CIA assassin assigned to keep an eye on Hunt, adds a fresh dynamic to the film. Cavill’s imposing physical presence contrasts sharply with Cruise’s more nimble and agile persona, which makes for an interesting interplay between the two characters. Walker’s brute force approach to espionage stands in stark contrast to Hunt’s more calculated and strategic methods, and this difference becomes a major point of conflict in the film. Cavill’s performance is intense and charismatic, and his character serves as both a foil and, eventually, an antagonist to Hunt. His inclusion in the film brings a new layer of unpredictability to the story, as it becomes clear that Walker’s motives may not align with those of the IMF.

The film’s action sequences are among the best in the franchise and, arguably, in the entire action genre. Christopher McQuarrie and his team have crafted a series of set pieces that are both thrilling and inventive. From the aforementioned HALO jump to the Paris motorcycle chase and the final helicopter showdown in the mountains of Kashmir, “Fallout” delivers a relentless barrage of jaw-dropping moments. What sets these scenes apart from typical action fare is their clarity and coherence. McQuarrie avoids the rapid-fire editing and shaky-cam techniques that have plagued modern action films, instead opting for longer takes and wide shots that allow the audience to fully appreciate the choreography and stunt work. This directorial choice gives the action sequences a sense of weight and realism, making them all the more impactful.

The Paris motorcycle chase, in particular, is a standout moment in the film. Ethan Hunt, pursued by police and mercenaries, weaves through the city’s traffic at breakneck speed, narrowly avoiding collisions and obstacles. The sequence is masterfully shot, with McQuarrie and his cinematographer Rob Hardy capturing the chaotic energy of the chase while still maintaining spatial awareness. The sound design, editing, and pacing of this scene all contribute to its sense of urgency and danger, making it one of the most memorable moments in the film.

In terms of cinematography, “Fallout” is visually stunning. Rob Hardy’s work behind the camera is exemplary, capturing both the grandeur of the film’s locations and the intimacy of its character-driven moments. The use of practical effects and real-world locations gives the film a tangible, lived-in feel, which enhances the stakes and immerses the audience in the story. The decision to shoot on location in places like Paris, London, and New Zealand (standing in for Kashmir) adds an authenticity that green-screen-heavy blockbusters often lack. The film’s color palette is rich and varied, with the bright, sun-drenched vistas of Paris contrasting sharply with the cold, desolate mountains of Kashmir. The visual storytelling in “Fallout” is as strong as the narrative, with the cinematography enhancing the emotional and thematic weight of the story.

Lorne Balfe’s score is another highlight of the film. The music complements the action perfectly, heightening the tension and driving the pace of the film. The iconic “Mission: Impossible” theme is used sparingly but effectively, and Balfe’s original compositions add a sense of urgency and danger to the proceedings. The score is bombastic when it needs to be but also knows when to dial things back and allow the quieter, more introspective moments to breathe.

While “Fallout” is undoubtedly an action-packed spectacle, it is also a film with a strong emotional core. At its heart, it is a story about trust, loyalty, and the sacrifices we make for the people we care about. Ethan Hunt’s journey in this film is not just about stopping the bad guys; it’s about protecting the people he loves and coming to terms with the choices he’s made. The film’s emotional weight is bolstered by the performances of the cast, particularly Tom Cruise, who brings a level of vulnerability to Hunt that we haven’t seen before. His scenes with Julia Meade, played by Michelle Monaghan, are particularly poignant, as they explore the personal cost of Hunt’s life as a spy.

Despite its nearly two-and-a-half-hour runtime, “Fallout” never feels bloated or overlong. The pacing is tight, with each scene serving a purpose in either advancing the plot or deepening the characters. McQuarrie’s direction is confident and assured, and he deftly balances the film’s various elements—action, drama, suspense—without ever allowing one to overshadow the others.

“Mission: Impossible – Fallout” is not just one of the best entries in the Mission: Impossible franchise; it’s one of the best action films of the last decade. It combines heart-stopping action, a compelling narrative, and richly developed characters into a cohesive and satisfying whole. Tom Cruise continues to defy expectations with his commitment to the role of Ethan Hunt, and Christopher McQuarrie proves once again that he is one of the most talented action directors working today. Whether you’re a longtime fan of the franchise or a newcomer, “Fallout” is a must-see film that sets a new standard for action cinema.

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